The resources of the disturbing narration as referentiality features of the narrative fiction

Keywords: creative act, fiction, disturbing, narrative, referentiality, mimesis

Abstract

The present work starts from considering the author’s own creative process as a matter of aesthetic reflection. To that end, we first demarcate conceptual aspects related to the nature of the creative process in the field of narration. It reflects on the nature of aesthetic creation as such and on its relationship with the peculiar handling of linguistic resources made by the author. Likewise, the mimetic character of fiction is established because it is constituted as a representation of the real through language. From those indicated, it is demonstrated that the strategies of the disturbing narration proposed by Sabine Schlickers (2017) and their aesthetic effects in the reception of the texts corroborate the mimetic character of the narration, precisely because that character is the result of a use singular language. In that way, it is underscored the impossibility of art, in general, and narration working outside the referent from which they necessarily start and to which they necessarily appeal.

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Author Biography

John Harvey Valle Araujo, Universidad Nacional Mayor de San Marcos

Licenciado en Literatura por la UNMSM. En el 2012, obtuvo el premio Copé de Oro en la categoría Ensayo de la III Bienal de Ensayo de Petroperú por el trabajo Derroteros de la soledad: el wakcha en el relato andino de tradición oral. Actualmente, se dedica a la docencia universitaria. Y se encuentra en la redacción de su tesis de maestría en Escritura Creativa, en la Facultad de Letras y Ciencias Humanas de la UNMSM.

Published
2019-12-31
How to Cite
Valle Araujo, J. H. (2019). The resources of the disturbing narration as referentiality features of the narrative fiction. Boletín de la Academia Peruana de la Lengua, 66(66), 163 - 194. https://doi.org/10.46744/bapl.201902.007
Section
Articles