Ethnicity and gender in Sab (1841) by Gertrudis Gómez de Avellaneda
Abstract
The Hispanic-American novels of the 19th century have as their central theme the representation of national characters related to the interpretation of European readers. For this reason, they respond to Eurocentric patriarchal models that exclude foreign biotypes. In this sense, the novel Sab, by the Cuban Gertrudis Gómez de Avellaneda, published in years when the island was one of the remnants of the Spanish empire, incorporates an exotic vision of non-European characters, considering them as agents of an eminent modernization and uses a slave as a prototype of subalternity as opposed to the civilized white masters. Therefore, we propose to demonstrate how the story maintains the patriarchal and patrimonial canons of the Cuban nation by legitimizing white male hegemony to favor the afrodescendant subalternity.Downloads
Copyright (c) 2018 Johnny Zevallos

This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors retain their rights:
a. The authors retain their trademark and patent rights, as well as any process or procedure described in the article.
b.The authors retain the right to share, copy, distribute, perform and communicate publicly the article published in the Boletín de la Academia Peruana de la Lengua (for example, placing it in an institutional repository or publishing it in a book), with an acknowledgment of its initial publication in the Boletín de la Academia Peruana de la Lengua.
c. Authors retain the right to make a subsequent publication of their work, to use the article or any part of it (for example: a compilation of their work, notes for conferences, thesis, or for a book), as long as they indicate the source of publication (authors of the work, journal, volume, number and date).














