El narrador transdiegético y otros procedimientos de la voz narrativa en Los Cachorros, de Mario Vargas Llosa, como elementos de una representación verosímil de la realidad social
Abstract
After a short introduction on the role of reality, fiction and memory in Los Cachorros (1967) by Vargas Llosa, this article studies the four procedures of the voice used to emphasize in a linguistic and narrative way the realistic semantic dimension of the work: an —apparent— new type of narrator that I have named as transdiegetic, the choral polyphony together with the kaleidoscopic vision, the juxtaposition and leveling of styles and speeches and the sociolect insertion of the bourgeois youth of that era in Lima.
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